First full display at Penwith Galleries
![](https://www.barns-grahamtrust.org.uk/wp-content/uploads/2022/04/Grey-Sheds-1947-and-St-Ives-1940-at-Penwith-650x366.jpg)
Grey Sheds, 1947 and St Ives,1940 at Penwith Gallery
In May we announced that In recognition of Willie’s long standing relationship with and support of the Penwith Society of Artists the Wilhelmina Barns-Graham Trust proposed that she is permanently represented on the walls of the Penwith Galleries. This was agreed and the first full display has now been installed. It represents Willie’s early years in St Ives. She arrived “after 7pm March 16th 1940 after awful journey 10.30 from Pad [sic]….pouring rain, + east wind. First words heard ‘the stars look too near the moon last night’ from cheery Cornish porter – means poor weather – certainly the next two days were awful.” She persevered and stayed on to live in St Ives for the next six decades!
Her drawings and paintings from these first years in St Ives reveal her Scottish heritage, particularly the formal art training she had received from Edinburgh College of Art – she graduated with her art diploma in 1937. Her painting technique, brushstroke and palette as well as her manner of drawing belie the training of her teachers who included some of the most important artists in 20th century Scottish art – S.J. Peploe, David Foggie, William Gillies and John (Johnnie) Maxwell. This presentation is a brief overview of her work from 1940 to 1947.
The display opens on Friday 17 November and will be up for a year, to be replaced by a new theme next November. This is the start of a rolling programme of displays of Willie’s work that will continue for the foreseeable future. It is good to see Willie’s work in the gallery which she supported for so many years. Sitting nearby are paintings by Borlase Smart, who helped her get her first studio in St Ives (No.3 Porthmeor Studios) in 1940, Bryan Wynter and Terry Frost, that illustrate the ambition of the gallery to exhibit historical work by St Ives artists reflecting the role that the gallery has had and continues to have in the story of art in St Ives.
![Snow (Scene) St Ives BGT6400 at Penwith Gallery](https://www.barns-grahamtrust.org.uk/wp-content/uploads/2017/12/Penwith20Installation20edit203-350x320.jpg)
Snow (Scene) St Ives, (BGT6400) at Penwith Gallery
![A painting with a garden in the foreground with path running diagonally towards centre of image with palm trees and green grass. A box hedge at the edge of the garden diagonally divides the plane in two. Beyond, the harbour of St Ives with a blue sea and buildings sketched out on beige. A pier with lighthouse at the end divides the harbour from the open sea.](https://www.barns-grahamtrust.org.uk/wp-content/uploads/2022/07/1121-350x320.jpg)
St Ives, 1941, Oil on canvas, BGT1121
![St Ives 1942 pen & ink 24 x 28.5 cm BGT1358](https://www.barns-grahamtrust.org.uk/wp-content/uploads/2017/11/BGT1358-350x320.jpg)
St Ives, 1942,Pen & ink on paper, BGT1358
![Grey Sheds II 1947 oil on canvas 51 x 61 cm BGT603 at The Scottish Gallery](https://www.barns-grahamtrust.org.uk/wp-content/uploads/2020/07/W20Barns-Graham20Grey20Sheds20St20Ives20II2303920194720BGT603-350x320.jpg)
Grey Sheds II, 1947, Oil on canvas, BGT603
![St Ives Harbour 1940 pencil and gouache on paper 29 x 39 cm BGT6403](https://www.barns-grahamtrust.org.uk/wp-content/uploads/2017/11/BGT640320St20Ives20Harbour201940-350x320.jpg)